Tonya Engel

About Tonya Engel

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So far Tonya Engel has created 18 blog entries.

5 Days Til Christmas!?

By |December 19th, 2013|Uncategorized|

Well I wouldn't believe it if couldn't see it on the calendar with my own eyes- Only 5 days til Christmas!Not to worry,              There are a few true Handmade Markets out there doing ...

TONYA ENGEL ART STUDIO 2013-10-18 12:31:00

By |October 18th, 2013|Uncategorized|

 Visit My Online Store!



Celestial Wish. Oil and Encaustic
On Wood 11inx14in.  




                                                                                 
Secret Place.Oil and Collage on Canvas
 Unstretched14inx18in  


Family TreeOil and Encaustics on Canvas.
18in x 24in. 




Blind Date. Oil and Collage on Paper, on
 Wood14in x 18in 









PinWheels and Butterflies.
Oil and Encaustic on Wood Panel24in x 24in. 










 
Can!Can!Oil and Collage on Canvas.
Diptych 2x 8in x 8in. 
Our Ship Has Sailed.Oil and Collage on Canvas
16in x 20in.
Butcher's Wife #2.Oil on Canvas
8in x 8in. 


Rapid Transit.Oil and Collage on
 Linen.9in x 12in. 
Know What You Want, Capricorn.
Oil and Collage on Wood Panel.9in x  12in.









TONYA ENGEL ART STUDIO 2012-10-31 16:46:00

By |October 31st, 2012|Uncategorized|

The Problem With Folk Art


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Published on Oct 24, 2012 in Read
Photo by American Folk Art Museum
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Museums have it tough these days; funding is thin and patronage isn’t always consistent. But it seems like institutions built to champion folk art are especially vulnerable. Last month, word got out that the San Francisco Museum of Craft and Folk Art would be closing its doors in December. In New York City, the American Folk Art Museum came close to a similar fate back in September 2011. Why is folk art such an easy target?
Part of the problem is the term “folk art” itself. “The thing about the definition of folk art is that you can’t say it in five words,” says Stacy Hollander, senior curator at the American Folk Art Museum. “You can only say it in 1,000.” An umbrella term coined around the turn of the century, folk art encompasses many ideas and methods; essentially, it is any art created by self-taught artists. “Human beings have a natural desire to put things in neat little boxes, but folk art is not neat,” Hollander explains. “Folk art is human. Folk art isn’t coming out of a single ideology, a single artistic movement or group of artists adhering to a specific philosophy.”
The broad nature of folk art creates challenges for its supporters. Over the past few decades, many museums have changed their names to reinvigorate their identities, adding words like art, design, and craft.”We are still fighting the good fight to overcome the rather dated ideas about folk art and the knee jerk reactions to that term,” says Hollander. “Prosthelytizing for folk art is still an important agenda for the museum. We’re still trying to to educate the world-at-large about what this art is and what they can find in it.”
As children, we are taught to associate folk art with indigenous peoples and ancient ideas. But walk through the galleries of almost any folk art museum today, and there’s evidence of an idea with contemporary resonance: the power of the hand-made. “In every age when there’s some technological explosion, there’s always a need for an antidote, or something that reminds people of their humanity and the touch of the hand,” says Hollander, noting how the fear incited by the industrial revolution propelled William Morris’s Arts and Crafts movement. “I think there are always seekers, those looking for the imprint of the hand in art.” Hollander notes that a large audience of these seekers are young artists. “In our society, with things moving so quickly, the pressure is even greater for artists to be the next big thing, rather than allowing them to delve and explore something and see where it takes them over a year or even a lifetime of work.”
At the American Museum of Folk Art, patrons see a range of works that, for the most part, were created by people who weren’t answering to a social pressure. “It’s stimulating and gives you permission take an idea and explore it to the nth degree,” Hollander explains. “Once people do come to the museum, it’s an instant conversion — they just get it. Folk art is something that one falls in love with.”
Folk art is our shared cultural history, documenting centuries of curious, ingenuous makers. Yet even with all the emotion and humanity found in folk art, it lacks a clear identity. How can these museums convince patrons to step through the doors?
Full credits for header image: Painted tinware/tin box. North Shop (act. c. 1790–1841), paint decoration attributed to Mercy North (1798–1872), Fly Creek, New York c. 1815–1825. Paint on asphaltum over tinplate. 5 1/2 x 8 9/16 x 4 9/16″. Collection American Folk Art Museum, New York. Gift of the Historical Society of Early American Decoration, courtesy Elizabeth B. Swain, 76.10. Photo by John Parnell, New York.
Chappell Ellison is a designer, writer and design writer. She currently lives in Brooklyn, New York where she serves as a contributor for The Etsy Blog and design columnist for GOOD.

Two Books -One Show!!

By |October 23rd, 2012|Uncategorized|

 
I'm so excited to announce an event at the Brooklyn Museum featuring the debut of two children's books I've worked on over the last year. "Our Lady of Guadalupe" written by Carmen T. Bernier Grand and "When Thunder Comes" written by J. Patrick Lewis. They will bothe be presented by me for the first time among an impressive list of other Brooklyn based authors and illustrators.
BRING THE KIDS- (Big and small!!)
Illustration from The Little Little Girl with the Big Big Voice, by Kristen Balouch
Illustration from The Little Little Girl with the Big Big Voice, by Kristen Balouch
 

Children's Book Fair

Saturday, November 17, 2012 at 12–4 p.m.
Martha A. and Robert S. Rubin Pavilion, 1st Floor
Meet your favorite Brooklyn authors and illustrators at this year's fair, featuring storybooks, picture books, and graphic novels. Enjoy readings, games, and activities for all ages, including special drawing sessions with Mike Herrod (Comics to Go) and Brian Snyder and Alexis Moniello (Everything Butt Art). Family-friendly performance The Composer is Dead, by the Brooklyn Conservatory Community Orchestra, will immediately follow the fair.

New Developments!!!

By |August 8th, 2012|Uncategorized|

ZOE!!Meet the new love of my life. Baby Zoe!She's 5 1/2 months old now and such a beautiful bundle of joy.Nothing I could have imagined in my thoughts and daydreams before could have prepared me for the amountof love and pure joy she brings to my every...

My New Space in Dumbo!!

By |October 28th, 2011|Uncategorized|

I am so excited to share with you lots of great news!First and foremost, I'm going to be a Mommy in February- Woo Hoo!! Those who know me know what a wonderful miracle that experience means for me. Secondly, I am part of a new artist Collective and Exh...

My Art Folks

By |October 13th, 2010|Uncategorized|

I love having my work in galleries and am lucky to say I've had lots of involvement in some prominent art exhibits and within some very respectful gallery spaces all over the states.What some people from that elite art world don't know and may even sco...